What makes audiobook narrators stand out from the rest
In this episode I am joined by the hugely talented Roderick Edwards where we discuss what it takes for an audiobook narrator to get the job and be successful.
His Secrets for Audiobook Narrators
Audiobook narration is such an amazing career path and I personally absolutely love the process of narrating a book. I highly recommend it to actors especially if you are like me and you love a good read. I personally have always been particular as to what books I choose and the ones I've gone for have always clicked with me in one way or another.
I was first introduced to Roderick on the first book that we did together called How To Overthrow a Government and although the title an bookcover are very provocative, it is not really a guide on how to actually overthrow a government, but rather Roderick takes a historian's approach and looks at facts and what has actually happened before in history.
However, he does openly share his guide to narrators. His secrets if you will to what makes voice actors stand out and get chosen to narrate his books.
1. Tone and Voice Quality
The one factor that probably plays the biggest role is tone and voice quality. Roderick says that whenever he is sifting through voice actors he knows exactly what type of sound he is going for. What sound would best fit his stories. This means that no matter how great a narrator someone is, they may not get the job if their voice is not right for the part.
We get that in all walks of acting really. It is not about us. It's all about whether what we bring to the table serves the story or not. It is not personal. There is something a lot more important than that. And that is the story.
So, next time when you don't get the job, don't get disheartened. Just remind yourself that this wasn't the book for you. Look at it from the perspective that you will eventually match the vision of the author or producer and will get a job. Don't beat yourself up and say to yourself that you are not good enough. It could be just down to how you sound and, guess what, there's not much you can do about that.
You could try and change your voice, but this would be super difficult to endure, especially if the book is longer than 3 hours.
Instead, continue to improve and know that eventually you will be the exact voice that the author or producer want for that one book.
2. Now comes your skill
Do you sound convincing? Are you managing to tell the story as intended? Are you getting the humour, or the underlying message? Here come your acting skills. Can you immerse yourself enough that you take the audience with you?
The way I always look at it is do you believe everything you're reading yourself? If you do - great news, so will the listener.
Don't you just love when you put an audiobook on and the narrator just takes you on a journey? You begin to explore with them, or they share the knowledge of the author with you. I personally love books in all formats, but audiobooks are that little bit more personal if done right. So, make sure you sit down and really work on your acting skills. On your ability to tell a story.
Another big skill that you need to develop. A muscle rather. Is that of reading out loud. It is so crazy and counterintuitive that because we read a lot that we can read out loud with the same speed and enough clarity. It will not come so easy, trust me. For most people at least. If you are an outlier and an exceptional natural reader and that is easy for you - well done, you got my applause. But for most of us, regular folks, that will not be the case. So make sure you practice, practice, practice. Reading long format is not easy and you need to keep the clarity up for hours and hours. Good diction will be your enemy. You will need perfect diction if you want to do a great job.
Getting the pronunciation right is also crucial. I made a mistake when narrating Roderick's latest book - Should've Been With Me because I got over-confident with my pronunciation. At one point in the book, he had written the initials H.I and I just read them as they were. The letters H and I. Did not even cross my mind that it may have been the abbreviation of an American state - Hawaii. So, back to the booth I went.
This, of course is a minor mistake. However, you want to avoid making such mistakes especially when only auditioning.
3. Equipment
Now comes the tricky part. Getting into voice over work altogether requires a bit of an investment. You need some hardware and software if you want to sound professional.
The most important things to get and do are:
- Get your room acoustically treated
Wherever you record, you need to make sure there is 0 echo in the space. Echo is your audio's worst enemy and it's more important to get rid of than getting a great mic.
- Microphone
Which brings us to the microphone itself. You need a decent mic to start recording and the good news? - it doesn't have to be too expensive. You can grab a 50 quid Amazon mic which will do a great job. (I would recommend getting an XLR cable for a balanced output but that will require an audio interface too, and a good one goes for more than 100 pounds.)
- Audio- recording and editing software (DAW - Digital Audio Workstation)
You need a good software that can capture the input that you can then easily edit. My personal go-to is Adobe Audition. I know that people also use Cubase, but for me Adobe are the overall bosses of the video and audio workstations.
I know that this may be slightly off-putting for a lot of people and I understand. But I'd rather be honest with you and not get your hopes so high up without you realising what you actually need to do and get first.
4. Motivation
Finally, and perhaps my favourite point is your motivation. What are the reasons why your going into this branch of acting? If it's money - same as all other aspects of the acting biz - there's not much at the start.
However, if you do it for the love of a good read, acting, charater exploration and then the finished product, you're in for a treat. The gratification in the end is extremely satisfying.
Not only that, but from a collaboration like this, so many other opportunities may come up it is mind-blowing. I love when doing a job with someone that leads to something else, and then something else, and so on. That may be one of the best things about our business.
Work even in Lockdown
As hard as it is to start, it is a great way to branch off in your career and still be a working actor even during a complete lockdown. Audiobook production is a bit slower right now, however, if you manage to pick up some momentum, this will lead to so much work when things pick back up again.
Truth is, people mostly listen to audiobooks when commuting, so the more they commute, the more work comes in. But getting that portfolio ready is crucial.
For more amazing discussions go to The Actor's Breakthrough Podcast
For my chat with Actor Luke D'Silva click HERE!
For my FREE 5 Secrets to Rock Your Self Tapes click HERE!


